In collaboration with Daniel Niedermeier.
GER, LUX, SUI | 2017—2021
simili modo
GER, SUI, LUX | 2017-2021
What happens if we don’t act with foresight?
- we make mistakes.
Mistakes that are not accepted in an advanced
society. How do we enable ourselves to get
access to a world that has so far only been pure
imagination?
We create playable worlds of make-believe.
They serve as laboratories. Interfaces between
genuineness and modification. As isolated systems
they meet their designated function of imitating
given regularities. Using them, we as humans can
pursue our urge for extension of our habitat, the
increase of our standard of living as well as the
prolongation of our lifespan.
With this work, the evidentiary characteristic of
the photographic medium can be questioned in a
sense that the context of each image might differ
from what can be expected at first appearance.
Therefore, neither the image itself, nor its
significate are what they pretend to be.
The photographic depiction serves as another
duplicate that carries a vague notion of reality
towards the spectator - a reference to our long
acquired visual habit.
The spectrum of these imitations crosses many
branches of society. In the manufacturing and
security industry as well as in the context of
education and entertainment, the course is set
for transformation that we as a society will notice
in the long run.
In collaboration with Daniel Niedermeier.
GER, LUX, SUI | 2017—2021
SIMILI MODO
GER, SUI, LUX | 2017-2020
What happens if we don’t act with foresight?
- we make mistakes.
Mistakes that are not accepted in an
advanced society. How do we enable
ourselves to get access to a world that
has so far only been pure imagination?
We create playable worlds of make-believe.
They serve as laboratories. Interfaces
between genuineness and modification.
As isolated systems they meet their
designated function of imitating given
regularities. Using them, we as humans
can pursue our urge for extension of our
habitat, the increase of our standard of
living as well as the prolongation of our
lifespan.
With this work, the evidentiary characteristic
of the photographic medium can be
questioned in a sense that the context of
each image might differ from what can be
expected at first appearance. Therefore,
neither the image itself, nor its significate
are what they pretend to be. The
photographic depiction serves as another
duplicate that carries a vague notion of
reality towards the spectator - a reference
to our long acquired visual habit.
The spectrum of these imitations crosses
many branches of society. In the
manufacturing and security industry as
well as in the context of education and
entertainment, the course is set for
transformation that we as a society will
notice in the long run.